1995). Because Biophilia leads to the broadened identity of
the self to include “identification with all beings, even with
the biosphere as a whole,” I spent the first quarter of the
class using activities and readings to connect students to
their own sense of Biophilia (Conn, 1995, p. 163). To
cultivate an understanding and direct experience of
interconnectedness with nature, I assigned students weekly
nature journals. For this ongoing assignment, students
chose one place they could “observe...with love in [their]
heart[s]...look[ing] closely and steadily at nature, and
not[ing] the individual features of tree and rock and field”
(Burroughs, 2008, p. 150). They returned to this place at
least once weekly, at different times and in different
weather, to observe closely, document changes, and capture
their observations on paper in whatever writing or
multimodal expression seemed fitting. In class, we
examined the writing of great observers like Muir,
Burroughs, Austin, and Dillard.
I watched students struggle to capture in writing the felt
sense of awe and expansion they experienced while washing
their senses in the complex natural spaces near campus.
One student specifically agonized over the futility of her
writing skills to capture the pulse-quickening, joyful surprise
of observing a fox wander through her “place” while she sat
mindfully watching one day. The students’ biophilia
strengthened as they practiced observing and noticing the
ways in which the feelings in their own bodies responded as
the nonhuman landscape shifted around them. No longer
spatially isolated from the nonhumanized world (Metzner,
1995, p. 57), the students wrote about “interaction
patterns”: the core experiences humans have when
interacting with nature that catalyze deeply meaningful
feelings and produce fundamental shifts in perception
(Kahn, Ruckert, and Hasbach, 2017, p. 55). My radical
course outcome, not sanctioned by the university, in the first
quarter of my class was for all students to have an
experience of awe, joy, and wonder similar to the student
who saw the fox: an experience of “recognizing and being
recognized by a nonhuman other” in its own habitat, or the
experience of “being under the night sky” through
“interacting with the periodicity of nature,” experiences
which introduce and expand the idea of radical oneness
(Kahn, Ruckert, and Hasbach, 2017, p. 55). Without the
direct experience of interconnectedness, argue
ecopsychologists and evolutionary biologists alike, humans
devolve into comatose, fragmented shells either denying
their individual impact on other beings or descending into
madness.
During the middle of the course, I sought to accomplish
two objectives. First, we would work on being able to name
the flora and fauna in the places the students had chosen
for their journaling. Second, we would write about our
experiences with nonhuman nature past and present, and
try to imagine ourselves “in a kinship relationship”
(Sampson, 2012, p. 35) inside nature instead of separate
from or disconnected from it (p. 45). To accomplish these
objectives, I continued what I started on the first day of
class; we tore down the impedences of the classroom walls
and placed our class in “close physical contact with wild
things and wild places” (Albrecht, p. 250). I sought mentors
for my students across other disciplines in the university,
and those mentors took us on class field trips to the
greenhouse, the woods, to visit the non-native plants which
sculpt the the campus so we could begin to name, notice,
and appreciate the nonhuman “others” we walk with and live
beside every day. These mentors taught the students to
read nature as text and understand themselves as one small
element of that text.
With a firm beginning of biophilia and the work of
topophilia ignited, I invited the students to consider the
relationship of their development and identity to the land.
Before we turned the pen toward ourselves, we studied
Leslie Marmon Silko, Aldo Leopold’s serious Land Ethic, and
Edward Abbey’s hilarious misanthropy. We examined not
just the way in which the authors used the land as a
metaphor for life lessons or the writer’s representation of
relationship to the land, but the moments in the text where
the “I” or writer’s personal identity and the identity of the
Land became one and the same. We honored Camille T.
Dungy’s (2011) experiences in “Tales From a Black Girl on
Fire, or Why I Hate to Walk Outside and See Things
Burning,” which brought up conversations of deep time and
embodiment. We soaked in the disruptive position bell hooks
(2011) takes in “earthbound on solid ground.” hooks
reclaimed for us the spirit of “backwoods folks” and the
relationship of “black folks” to the earth; the earth whose
power and rights can never be taken away by a white master
(p. 184-187). hooks reminded us that, “when we are
forgetful and participate in the destruction and exploitation
of the dark earth, we collude with the domination of the
earth’s dark people, both here and globally” (p. 187), so the
class sought a new language of expression to name, identify,
and describe our bonds with the earth.
Using these texts as our guides, I asked the students to
write an ecobiography: an essay where students described
a moment from their life story where it was impossible for
them to see where “Nature ends and the Self begins: ego
and eco are inextricably intertwined” (Farr and Snyder,
1996, p. 203). The ecobiography is based on the dynamic
feminine: those features devalued and despised by
patriarchy, which encourage direct sensory experiences,
open attention to increasing complexity and beauty, and the
nonrational (Gomes and Kanner, 1995, p. 119). The
dynamic feminine stands as the antithesis of the current
narrative of domination and human-centric superiority. For
the ecobiography, students reflected on a time from their
lives where they were witness to ecological changes in the
environment or landscape, where they were humble
companions to the chaotic, wild, mysterious sensate
landscape (Short, 2019). The ecobiography used writing as
a means of developing what Anita Barrows (1995) calls the
“ecological self” (p. 107): the self that embraces nature as
a teacher, mentor, and friend, encouraging the loosening of
the boundaries of “self” and the feeling of “me” to include
the whole wide world (Barrows, 1995, p. 110).
The students uncovered deep layers of pain and
emotion with these ecobiographies. One student, studying
engineering, wrote delicately about the untamed wildflower
RADICALTEACHER
17
http://radicalteacher.library.pitt.edu
No. 119 (Spring 2021)
DOI 10.5195/rt.2021.706